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Ferragamo week pt2

OUTFIT NUMERO 1 collezione di tesi “Nembo” Pattern mimetico con foto originali dell’esercito rifatte con illustrator e riportate con marcatura a laser.

Nel De Rerum Natura, Lucrezio descrive la natura come un sistema in continuo mutamento, dove ogni elemento si adatta per sopravvivere. Questo principio trova la sua massima espressione nel mimetismo biologico, una strategia evolutiva che permette agli esseri viventi di fondersi con l’ambiente circostante, sia per proteggersi che per predare. Dai colori cangianti delle seppie ai mantelli screziati dei felini, la natura insegna che la sopravvivenza dipende dalla capacità di trasformarsi e confondersi. L’uomo ha ereditato e reinterpretato questa lezione attraverso l’abbigliamento militare, sviluppando pattern mimetici e uniformi capaci di nascondere il corpo nel paesaggio di guerra. La collezione Nembo trae ispirazione da questa fusione tra natura e strategia, proponendo un’estetica che trascende la funzione bellica per diventare un linguaggio stilistico. Le silhouette militari, i tessuti tecnici e i pattern camo vengono rielaborati in una visione contemporanea che unisce protezione, adattabilità e identità. Nembo non è solo un omaggio al camouflage, ma una riflessione sulla mimesi come condizione essenziale dell’esistenza: in natura, in guerra e nella moda. Esattamente come Lucrezio descrive un universo in perenne trasformazione, la nostra estetica evolve, giocando con i confini tra visibilità e invisibilità, tra strategia e stile. #fyp #fashion #perte #fashiontiktok

FITTING CON L’INTRUSO CHE SI RUBA LE FOGLIE #fyp #fashion #perte

#fyp #perte #fashion

The late choreographer Pina Bausch’s translation of movement into evocative expressions of emotion has long made her a favorite inspiration in fashion; Dries Van Noten, Simone Rocha, Christophe Lemaire, Ludovic de Saint Sernin, and Dior are a few of the runways we’ve seen her referenced on in recent seasons. Bausch also enjoyed a long creative relationship with Yohji Yamamoto and once collaborated with Miuccia Prada on a handbag.It was Maximilian Davis’s turn to put Bausch on his mood board this morning at a Ferragamo show that acted as a sequel to last season’s ballet-inspired fashion performance. The runway was strewn with petals (Nelken by way of American Beauty), and there were floral embellishments at the ankle or heels of some sandals that also echoed vintage campaigns by the house. Two striking, thickly fringed mesh dresses near the end were hung with carnation-like florals. Some of the oversized tailored outerwear echoed the garments that Bausch was sometimes photographed wearing, and much of Davis’s tailoring was cut in jersey to afford freedom of movement.Because “a lot of her references came from the 1920s,” said Davis, he also worked to incorporate gently surrealistic elements into the collection. These included double iterations of the house Hug bag worn at the waist, and a later jacket and dress that grafted adapted versions of the bag into the garments as front pockets. Drop-waist dresses were divided into satin, lace, and treated-shearling fur horizontal sections. Dresses, bags, and skirts were adorned with feathers whose usual quill down orientation was subjected to a 180-degree ruffle. Trench coats were reimagined as satin dresses to generate a satisfyingly unconventional discordance between form and category. This was another fur-filled collection in a season full of them: An appropriate to Ferragamo highlight here were the fur-strapped flip-flops that left the runway’s petals dancing in their wearers’ wake. #fyp #perte